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Abraham Bloemaert (1566 - 27 January 1651) was a Dutch painter and printmaker in etching and engraving. He was one of the "Haarlem Mannerists" from about 1585, but in the new century altered his style to fit new Baroque trends. He mostly painted history subjects and some landscapes. He was an important teacher, who trained most of the Utrecht Caravaggisti, at least for a period. ==Life== Bloemaert was born in Gorinchem, the son of the architect Cornelis Bloemaert I, who moved his family to Utrecht in 1575, where Abraham was first a pupil of Gerrit Splinter (pupil of Frans Floris) and of Joos de Beer.〔 (Abraham Bloemaert ) in Karel van Mander's ''Schilderboeck'', 1604, courtesy of the Digital library for Dutch literature〕 From the age of 15 or 16, he then spent three years in Paris from 1581–1583, studying six weeks under a ''Jehan Bassot'' (possibly Jean Cousin the Younger) and then under a ''Maistre Herry''.〔 While in the School of Fontainebleau he received further training from his fellow countryman Hieronymus Francken.〔 He returned to Utrecht in 1583, just before the French Wars of Religion began, which destroyed much of the work at the Chateau of Fontainebleau. When his father was appointed city architect (''Stads-bouwmeester'') in Amsterdam 1591 he accompanied him there, and on his father's death in 1593 returned finally to Utrecht, where he set up a workshop and in 1594 became dean ("deken") of the "zadelaarsgilde", as from 1367 the painters were included in the saddlemaker's guild, with no Guild of St. Luke of their own.〔(Abraham van Bloemaert ) in the RKD〕 In 1611, along with the two other leading Utrecht painters, Joachim Wtewael and Paulus Moreelse, he was one of the founders of the Utrecht Guild of Saint Luke (''St Lucas-gilde'') a new Utrecht painters' guild, and became its ''deken'' in 1618.〔 Many of Bloemaert's paintings were commissioned by Utrecht's clandestine Catholic churches.〔"The Artist's Religion: Paintings Commissioned for Clandestine Catholic Churches in the Northern Netherlands, 1600-1800," Xander van Eck, ''Simiolus: Netherlands Quarterly for the History of Art,'' Vol. 27, No. 1/2 (1999), pp. 70-94.〕 He died in Utrecht. He excelled more as a colourist than as a draughtsman, was extremely productive, and painted and etched historical and allegorical pictures, landscapes, still-life, animal pictures and flower pieces. In the first decade of the seventeenth-century, Bloemaert began formulating his landscape paintings to include picturesque ruined cottages and other pastoral elements. In these works, the religious or mythological figures play a subordinate role. Country life was to remain Bloemaert's favourite subject, which he depicted with increasing naturalism. He drew motifs such as peasant cottages, dovecotes and trees from life and then on his return to the studio worked them up into complex imaginary scenes.〔Bolton, Roy (2009). (''The Collectors : Old Master Paintings'' ), London, Sphinx Books, pp. 176-179.ISBN 978-1-907200-03-8.〕 Among his many pupils were his four sons, Hendrick, Frederick, Cornelis, and Adriaan (all of whom achieved considerable reputation as painters or engravers). The RKD also lists Jan Aerntsz de Hel, Abraham Jacobsz van Almeloveen, Cornelius de Beer, Nicolaes van Bercheyck, Jan van Bijlert, the two Boths, the two Honthorsts, Leonaert Bramer, Bartholomeus Breenbergh, Hendrick ter Brugghen, Jacob Gerritsz Cuyp, Willem van Drielenburg, Wybrand de Geest, Nicolaus Knüpfer, Hendrik Munnicks, Frederick Pithan, Cornelis van Poelenburch, Henrik Schook, Anthoni Ambrosius Schouten, Robert Jansz Splinter, Matthias Stom, Herman van Swanevelt, Dirck Voorst, Quintijnus de Waerdt, Jan Baptist Weenix, and Peter Petersz van Zanen.〔 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Abraham Bloemaert」の詳細全文を読む スポンサード リンク
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